LONDON WEDDING VIDEOGRAPHER
THE CITY. UNSCRIPTED.
London moves fast. Your wedding film should keep up.
I don't try to turn the city into a soft, romantic backdrop. I capture the energy, the architecture, and the noise. From the brutalist lines of the Barbican to the classic steps of Marylebone Town Hall, I film the capital exactly as it is: loud, chaotic, and cinematic.
No posing. No stopping traffic. Just the documentary of your day in the city.
SHOOTING FROM THE SHADOWS
In a city wedding, a videographer with a massive gimbal and lights is a distraction.
I shoot handheld and minimal. I blend into the crowd at the pub. I jump in the black cab with you. I capture the texture of the city—the neon, the rain, the movement—without turning your wedding into a production set.
The Result: A film that feels like an indie movie, not a corporate event video.
CAPITAL KNOWLEDGE
I know the logistics of a London wedding. From parking permits in Chelsea to low-light basements in Soho.
THE TOWN HALLS
These ceremonies are fast. I know exactly where to stand to get the "confetti on the steps" shot before the next wedding arrives, capturing the rush and the excitement.
THE CITY ICONS
Grand banking halls with terrible lighting. I use specialist low-light lenses to capture the scale of the architecture without setting up ugly light stands.
THE URBAN WAREHOUSES
Industrial textures and exposed brick. I shoot these with a "street style" aesthetic, leaning into the grit rather than trying to polish it out.
LOCATIONS COVERED
From the City of London to the Docklands.
LONDON WEDDING PHOTOGRAPHY
I shoot stills with the same street-photography philosophy.
LOGISTICS & TRAVEL
Do you charge for travel? No. London is a key coverage area. I do not charge extra for travel within the M25.
How do we get around? I travel light. If you are jumping in a taxi or an Uber to get from the ceremony to the reception, I’m coming with you. That transit time is often where the best candid footage happens.
THE COMMISSION
I take on a limited number of London commissions each year. This ensures I can dedicate the editing time required to grade your film with that signature "City" look.
Ready to ditch the script?